Vol 73, No 2 (2014)
Review article
Published online: 2014-05-30

open access

Page views 2250
Article views/downloads 4076
Get Citation

Connect on Social Media

Connect on Social Media

Heart in anatomy history, radiology, anthropology and art

S. Marinković, D. Lazić, V. Kanjuh, S. Valjarević, I. Tomić, M. Aksić, A. Starčević
DOI: 10.5603/FM.2014.0018
Folia Morphol 2014;73(2):103-112.

Abstract

Background: Anthropologic, artistic and medical significance of heart inspired usto undertake this multidisciplinary study.

Materials and methods: Amongst the 24 obtained echocardiograms and phonograms, 1 was used for a Photoshop processing. In addition, over 20,000 art work reproductions were examined in this study.

Results: Artistic and symbolic presentation of heart started some 15,000 years ago. First heart models were made by the Egyptian and Olmec civilisations. Ancient cultures regarded heart as the seat of the soul, spirit and intelligence. First anatomical and artistic images of heart were created by Leonardo da Vinci in the15th century, and first wax models by the Italian anatomists in the 17th century. Mediaeval religious symbolism of heart was replaced in the Renaissance and later on mainly by its role in the romantic love. Anatomical heart art continued in the 18th and 19th centuries through the works of Sénac, Cloquet, Hirschfeldand Bourgery. Some modern artists, such as Dalí, Kahlo, Rivera, Warhol, Ivanjicki, Vital, Kober and Mastrlova, created the anatomical heart images or sculptures, whereas some others, such as Duchamp, Klee, Miró, Matisse and Dine, presented heart symbol in their artworks. New radiologic technologies produce fine images of heart, some of which are similar to the works of modern artists.

Conclusions: Heart biology and symbolism have had a tremendous influence on our culture, including art and medical sciences. New radiologic techniques and computer technology have produced such images of heart, which substantially improved diagnosis, but also enhanced the heart aesthetics.